Gottfried, in contrast to Clay, was given free reign to completely be himself for the 5 minutes that he seems in The Adventures of Ford Fairlane, and he’s simply one of the best factor within the film. Sporting sweaty boyish curls that make him look a lot youthful than thirty-five, Gottfried crazy-rants in his trademark squawk, sporting an infinite grin the whole time to tell us he’s in on the joke. Clay could be very fortunate that they solely let Gottfried have a couple of minutes, as a result of Gottfried would have stolen the whole present if he’d been a a lot larger character. He exudes the boldness of a really easy comic, somebody who is aware of he could be humorous and doesn’t should strive too onerous to get an viewers to snigger when he says filthy, outlandish issues.

And that, I feel, is the important thing drawback with Andrew Cube Clay and his in-no-way-unique model of edgy comedy: it’s simply attempting too onerous. All the things about The Adventures of Ford Fairlane reeks of attempting too onerous, apart from the components that reek of not attempting onerous sufficient. For analysis functions, I watched a bit little bit of Clay’s standup routine – the soiled nursery rhymes that earned him a ban from MTV – and within the 12 months of Our Lord Twenty Twenty-four, I discover him virtually a quaint relic of a earlier age of pre-Web nose-tweaking. Had I been one in all his common targets, maybe I’d even have discovered him insufferable, however I frankly don’t discover him attention-grabbing sufficient to earn such opprobrium. In that, Ford Fairlane seems to be an ideal demonstration of his capabilities. This specific journey down Tradition Reminiscence Lane has blessed me with no lasting recollections, good, unhealthy, or in any other case. I hope you’re all happy with yourselves, particularly Andrew Cube Clay.

High quality of Film: 2 / 5. There aren’t any outlandish assaults on filmcraft, however neither is there a lot to suggest.

High quality of Expertise: 1.5 / 5. Be certain the sofa you watch it from isn’t too snug.

Did the Razzies Get it Proper? Troublesome to say. Ford Fairlane was the 1991 co-winner alongside Ghosts Can’t Do It, the best film ever made. Additionally up that 12 months had been The Bonfire of the Vanities, a drudgy heavy-handed satire nominated for behind-the-scenes controversies; Graffiti Bridge, Prince’s second try at directing a film after Beneath the Cherry Moon was unfairly maligned; and Rocky V, which was, properly, Rocky V. Nothing else launched in theaters 1990 got here near the universe-breaking incompetence of Ghosts Can’t Do It, however for awful craftsmanship plus an unmemorable expertise, both Ford Fairlane or Rocky V would have been the right alternative.

Wish to choose extra Raspberries? Take a look at the remainder of the columns on this collection!

Mandy Albert teaches highschool English and watches motion pictures – principally unhealthy, often good – within the psychedelic swamplands of South Florida. She is particularly keen on Nineteen Seventies horror and high-sincerity, low-talent vainness tasks. You’ll be able to hearken to her and her husband discuss Star Trek: Enterprise on their podcast At Least There’s a Canine! You may also comply with Mandy on Letterboxd.